RAD Magazine, also known as Read and Destroy, was a pivotal force in British skate culture from 1987 to 1993. These six years were a period of incredible progression in skateboarding, marked by the rise of future industry leaders and the emergence of influential companies like World, Blind, and Girl, all reshaping street skateboarding. While much of this innovation was happening in California, RAD Magazine focused on the unique British skateboarding scene, providing a platform for local skaters and communities.
Instead of chasing American pros, RAD Magazine became the voice of British skateboarding. It highlighted the smaller scenes and skaters that might otherwise go unnoticed. Read and Destroy, a book by Dan Adams, documents the magazine’s golden era, showcasing the passion of the early UK scene through photos, especially those by Tim Leighton-Boyce. The book serves as a time capsule, offering a glimpse into a vibrant era of British skateboarding.
Here, we delve into some of the iconic photographs featured in the book, each accompanied by a blurb from Dan Adams, explaining why these images were chosen for inclusion. Prepare to be transported back to the early days of skateboarding in the UK, with documentation of London’s Southbank and vert ramps nestled in idyllic forest settings.
Mathew Pritchard, Milton Keynes City Centre double set, 1994
Mathew Pritchard, Milton Keynes City Centre double set, 1994
This image is from a sequence of a stair set ollie and was given a bigger platform in the book than in the original magazine. The photo captures not just the rider’s impressive feat but also the background and setting. This helps convey a strong sense of time and place. It showcases the rider’s skill as well as the environment of the era, making it an excellent example of the early British skateboarding scene.
Ed Templeton, USA, 1990
Ed Templeton, USA, 1990
Ed Templeton, with his big board, represents a pivotal moment in skateboarding before the rise of smaller wheels. The photo, taken in the sunny, creamy concrete landscape of Los Angeles, offered a stark contrast to the grey UK skies. It captured the dreams and aspirations of many British skate fans. This image is a snapshot of a time and place, highlighting the influence of American skateboarding while showcasing the unique British perspective. The presence of the New Deal board also marks the influence of cutting-edge street brands.
John Cardiel, Leigh-on-Sea demo, 1992
John Cardiel, Leigh-on-Sea demo, 1992
This photo captures John Cardiel performing an epic skate move during a Consolidated team tour in 1992, a significant moment that was heavily featured in RAD magazine. The tour, documented by photographer Skin Phillips, was a defining moment, and highlights the beginning of Phillips’s journey into becoming a prominent skate photographer and editor. Cardiel’s display of skill is an example of the high-energy and style that defined this era.
Femi Bukanola, Manchester, 1988
Femi Bukanola, Manchester, 1988
This image embodies the ethos of RAD’s chief photographer and editor, Tim Leighton-Boyce. He was always keen on empowering skaters and encouraging them to “make shit happen.” The magazine made great efforts to cover local scenes across the UK in their ‘Out There’ editorials, which helped foster a sense of connection with its readers. Femi Bukanola’s cover shot is a testament to this mission, showing how RAD gave recognition to skaters and communities across Britain.
Lewis Ashenden, Southbank, 1992
Lewis Ashenden, Southbank, 1992
The photo features the Southbank seven stair, a location that became synonymous with the street skating scene at the time. The image also highlights the prominence of New Deal, a brand that defined the era. This shot is a window into a key time and place, reflecting the evolution of street skating and its rising popularity.
Secret ramp, Hertford, 1988
Secret ramp, Hertford, 1988
This photo captures the spirit of the secret society built by the skateboarding community in the UK, during the 80s. It showcases the DIY aspect of skateboarding where hidden ramps were built away from the mainstream. This image is a celebration of the dedication and passion of the skateboarding community who had a knack for turning unconventional spaces into skate spots.
Nick Philip at his desk in the first RAD office, 1987
Nick Philip at his desk in the first RAD office, 1987
Nick Philip, RAD magazine’s first designer, played a key role in shaping its identity. Despite the magazine’s influence and glossy pages, it was created in a small, under-resourced office. This photo shows the creative energy that went into producing a highly influential publication with limited resources. Philip’s background in BMX, combined with a love for skateboarding, contributed to the magazine’s distinctive look.
Keith Laing, Cage skatepark, Brighton, 1978
Keith Laing, Cage skatepark, Brighton, 1978
This photo captures the unbridled stoke of a young skater, despite the basic and worn-out equipment. It perfectly exemplifies the raw passion and fun inherent in skateboarding, regardless of circumstances. The photo highlights the simple joy of skating, with no regard for fancy gear or perfect conditions.
Wullie McKay, Scotland, 1982
Wullie McKay, Scotland, 1982
Livingston skatepark in Scotland is known as a legendary skate spot, and this photo captures a trip there in 1982. It shows the dynamic action that was inspired by American skateboarding but had a distinct early 1980s British feel. The image reflects the cultural and financial constraints of the era, with skaters making do with what they had while still maintaining a unique style.
Tony Hawk and fans, UK, 1990
Tony Hawk and fans, UK, 1990
The Bones Brigade tours were significant for the UK skating scene in the 1980s, and this photo captures a moment of Tony Hawk interacting with fans. These tours were pivotal, showcasing the emergence of skate stars and how they interacted with the public. It reflects the era when skate stars were beginning to gain wider recognition and how their influence spread globally.
Tom Penny, Radlands, 1992
Tom Penny, Radlands, 1992
This image showcases Tom Penny’s incredible skill and style at Radlands, a venue that became synonymous with UK skate progression. The photo captures Penny at the cusp of making a big impact on the skateboarding scene. It perfectly illustrates the dynamic movement and unique style that would soon make Tom Penny a skateboarding icon.
Mark Gonzales, London, 1987
Mark Gonzales, London, 1987
This photo depicts Mark Gonzales during a private skate session in London. It captures a serendipitous moment, where Gonzales quietly amazed the few people present. It captures an intimate and spontaneous moment in a favorite skate spot. The image is a reminder of the magic that can happen when skateboarding is shared in such unique moments.
Milton Keynes, DIY mini ramp, 1988
Milton Keynes, DIY mini ramp, 1988
This photo shows a DIY mini ramp, which was constructed in a spillway. These self-built ramps are an example of the heart and resourcefulness of the skateboarders who created them. This image embodies the core essence of skateboarding as a community driven sport with DIY mentality.
Ray Barbee with Steve Saiz in London to promote Powell Peralta’s *Ban This*. 1989
Ray Barbee with Steve Saiz in London to promote Powell Peralta’s Ban This. 1989
This photo captures the moment after a screening of Ban This, where Ray Barbee is skating with London locals. The image highlights the impact and influence of skate videos, and the excitement of seeing famous skaters in real life. It encapsulates a time when the boundaries between pros and local skaters were being blurred, creating a magical experience for everyone involved.
These photos, and many others in Read and Destroy, offer a glimpse into a defining era in British skateboarding. They highlight the passion, innovation, and community spirit that made RAD magazine a cornerstone of British skate culture. These moments, captured in time, are a great reminder of the creativity and joy that the skateboarding community brings to the world.
