It’s a common adolescent experience to endure name-based puns, but for some, like our friend Spud, it’s a never-ending story. This unique nickname has stuck with him since his move from Idaho, and now, Spud is making waves in the Los Angeles skate scene. While he might be known to locals, his new self-titled part, filmed by Trevor Owens, aims to solidify his presence beyond the West Coast, showcasing that hidden skate gems still exist in even the most well-trodden city.
Spud’s Journey and Skate Philosophy
Spud’s story is one of unexpected turns and a commitment to uncovering the untapped potential in skateboarding. He didn’t initially set out to be a West Coast sensation; rather, it was a move from Idaho to Portland that unexpectedly landed him with the moniker “Spud” due to his home state’s famous potato. His early days with a group of friends filming Jackass-inspired videos laid the foundation for his later skate adventures.
Spud’s skateboarding philosophy is rooted in finding the extraordinary in the ordinary. When the pandemic hit, the restrictions turned into an opportunity to explore the myriad towns around Los Angeles, where he uncovered new and forgotten skate spots. This exploration isn’t just about finding locations; it’s about the process, using a rub brick and lacquer to revive and customize each location, a testament to his hands-on approach.
Q&A: Delving Deeper into Spud’s World
Why the name “Spud?”
“Well, Idaho is known for potatoes, or spuds. When I moved to Portland from Idaho in 7th grade, my friend group gave me the nickname,” he laughs, reminiscing about his early days making Jackass style videos. “Those videos always sold out, thanks Mrs. Bailey.”
The Bald Look: Westgate or Gents Inspiration?
“Westgate is amazing, but no, my shaved head isn’t a tribute. I fell in love with the band Gents, and their music just feels like this haircut. It’s been three years,” Spud explains, “I guess we’ll see how much longer it lasts.”
Filming in LA: Choice or Convenience?
“It was mostly filmed around the LA area,” Spud admits. “Filming started during Covid. Cruising around, looking for new spots was all we could do, and with the little towns around LA, there are so many spots.”
Is LA Skate Scene Blown Out?
“LA has a lot of well-known spots, sure, but with a rub brick and lacquer, you’ll find gems.” This statement encapsulates Spud’s philosophy of making the most of what’s around, a perspective that has fueled his skating journey.
The “Fake” LA Stereotype:
“LA is definitely where dreams come true, and networking is essential, even if it means being ‘nice’ to everyone. When someone is only chasing clout, they are usually fake,” he remarks, before adding, “There are many cool people here just living, especially on the east side. Remember, you choose your friends.”
The Perfect Track: Lync’s Impact:
“My roommate, Durell Williams, who is a music historian, showed it to me,” Spud explains, “I asked him to make me a song, but he was busy with some Vans Snow video at the time. It all worked out because Lync feels perfect with my skating.”
A Song That Almost Was:
“I always loved when a part uses an iconic song, like ‘Buddy Holly’ by Rivers Cuomo—his first version before Weezer. It’s all staticky and makes you feel like you’re in the garage with him,” Spud shares, revealing his affinity for unique tracks with a vintage feel.
Sponsors or Just Love for the Grind?
“Nothing official, just another flow kid,” Spud admits, laughing about possibly naming his part Fully Flowed. “It’s all out of love, bless the skate gods, Old Man Wes, and Nukes from Pier Park days.” This underscores his genuine passion for skateboarding, driven more by love than by sponsorship.
Underrated LA Skaters:
Spud lists some names that deserve more recognition: “Austin Holcomb, Austin Pastura, Cody Grant, Jake Selover, and Jalen Noel all blow my mind.” These are the skaters who, according to Spud, bring a unique style and skill to the LA scene.
Beyond Skateboarding: Seamster or Craft Bartender?
“Not a seamstress but I do sew every day, mostly modifications of garments. The filmer, Trevor, is my biggest client because he is a flea market addict,” Spud laughs, also mentioning, “I make rent by craft bartending. Next time you’re in LA, come to my bar, and I’ll create a riff for ya.” This reveals a multifaceted personality, showcasing his skills outside the skate park.
Why Sew Pants on a Hill?
“I have spent a lot of time at that view, and I love sewing. Why not combine them?” This sums up Spud’s creative spirit and unique blend of passions.
Tik Tok Fame and Polar Big Boy Pants:
“HUUGGGGEEE,” Spud replies jokingly, indicating the potential for viral fame were he to adopt a trendy fashion choice within the skate world.
Conclusion: More Than Just a Nickname
Spud’s story transcends the simple label he was given. His journey from an Idaho transplant to an LA skate scene innovator showcases his resourcefulness, unique perspective, and genuine love for skateboarding. His ability to find hidden gems in a seemingly “blown-out” city, combined with his creative side, makes him a compelling figure in the skateboarding community. Spud’s self-titled part is not just a video; it’s an insight into a skater who redefines the boundaries of both skateboarding and individuality, proving that even a simple nickname can lead to something extraordinary.
Filmed by: Trevor Owens
Edited by: Sammy Spiteri
Q&A by: Ian Michna
