Capturing the Rawness: Jacob Consenstein's Journey Through Film Photography

Skateboarders, often attached to nostalgia, sometimes resist embracing modern technology. This is evident in the enduring popularity of decades-old video cameras within the skateboarding community. It’s no surprise then, that many skaters are now drawn to the tangible, creative process of 35mm film photography, using it to capture everything from casual gatherings to artistic portraits. While not everyone is destined to be the next Garry Winogrand, this embrace of film showcases a creative spirit.

Jacob Consenstein, a lifelong New Yorker, is a photographer who truly embodies the spirit of film photography. For years, he’s documented the city’s culture, capturing portraits and live shots of both renowned and underground artists, skaters, and musicians. His street photography across New York’s boroughs provides an authentic view of city life, reminiscent of Robert Frank’s work in “The Americans.”

Consenstein recently released a photo book, Half God, featuring his childhood friend, hip-hop artist Wiki (Patrick Morales), and images that capture their daily lives in New York. He also has an upcoming solo exhibition, “Keepsake,” at Micro Service Gallery. This article is a deep dive into the mind of Jacob Consenstein, perfect for photography enthusiasts.

Table of Contents

The Allure of Film in a Digital World

Why are so many New York skaters in their late 20s and early 30s using 35mm cameras?

Consenstein believes that for many, the film camera is more of a trendy accessory. However, for those who genuinely use it for taking photos, it’s a valuable tool for documenting life. He encourages everyone to explore point-and-shoot cameras for a rewarding and immersive photographic experience. In our current culture, so heavily reliant on photography, documenting your life can lead to unexpected opportunities.

What makes film so appealing compared to digital?

For Consenstein, film is a personal connection to his past. He was first introduced to photography through his father’s old film camera. This led him to experiment with stolen disposable cameras, capturing countless images of parties, friends, and graffiti. The process of getting these photos developed at CVS, receiving the 4×6 prints, and the cycle of stealing more cameras fueled his passion.

His first SLR, a Pentax K1000, gifted by friends, cemented his love for film. He started creating work based on intuition and circumstance, without any formal references. Digital photography, with its sterile feel, never resonated with him the way the texture, color, and vibrancy of film did. For him, the unique qualities of film cannot be truly replicated with digital post-editing.

Considering the rising cost of film, are you seeking cheaper alternatives?

Despite the high prices and limited availability, the demand for film remains strong. Consenstein sees this as a passing phase and continues to invest in film, as many other film photographers do.

Half God: Documenting Life with Wiki

Your new book documents Wiki during the creation of his new album. How was that experience?

Consenstein and Wiki would often meet for photo sessions after late nights or studio time, sometimes simply talking which would then lead to a photo session. One memorable session involved photographing Wiki and Sage Elsesser (Navy Blue). He noted their admiration for each other. They began on Wiki’s roof, where the iconic album announcement shot was taken. That same day Sage had signed a major record deal. They celebrated the occasion by enjoying a meal together at an Italian restaurant. To Consenstein, this day felt like everything was coming together.

The book also includes influences from your childhood. Was there anything specific you both wanted to include?

Both Consenstein and Wiki wanted the book to be meaningful, as they grew up blocks away from each other. Their first meeting to conceptualize the book was at a local diner. They listed locations, nuances of their neighborhood, and traditions that would provide readers a sense of Wiki’s upbringing. This included the monument, the subway, his mother’s home, a trip downtown, and his rooftop. They wrote everything on a receipt that Consenstein scanned for the beginning of the book.

The Changing Landscape of New York City

Having grown up in NYC, do you think the city still has its raw edge, or is it now dominated by transplants?

Gentrification has altered New York drastically for Consenstein. The once-diverse Upper West Side, now feels sterile and unfamiliar. He notes a similar trend in many other neighborhoods throughout the boroughs. The current housing crisis has amplified the economic divide in New York.

Although much of the city has lost its rawness, the remaining pockets that retain it are even more powerful than before. Those fighting the “whitewashing” of New York are important and are likely to leave a long-lasting cultural legacy. The raw essence of the city still exists, it’s just harder to find.

Where are these pockets located? Will they eventually disappear?

These pockets are places that foster creativity and community: art studios, retail spots, small businesses, music venues, and skate spots. These are places where people can share ideas. These spaces tend to create tight-knit groups with a significant output of art, events, and culture. Currently, many of these spaces are in Brooklyn neighborhoods, such as Bed-Stuy, Crown Heights, Bushwick, and Ridgewood. While Manhattan is currently too expensive to create these spaces. Consenstein believes that these spaces will always exist and that community and creativity will always prevail.

Advice for Aspiring Photographers

What’s the most crucial piece of non-technical advice you can give to beginners?

Consenstein advises to first learn about the art form by studying the greats, attending shows, and seeking out contemporary artists whose work resonates. This approach helps new photographers define their artistic direction.

He also emphasizes the importance of focusing on the subject matter. “What inspires you? What aspects of your life and personality do you want to express?” He encourages photographers to create the work they want to see in the world and to shoot daily.

“Ask yourself, what inspires me? What are the substantive aspects of my life and personality that I would like to express?”

How challenging is it to make a living through photography?

Consenstein has always worked full-time while pursuing his photography. He notes the stability and discipline a day job can provide. Recently quitting his day job six months ago, he is now pursuing photography full-time, noting there have been growing pains. He believes that the best approach is to identify a specific area of photography and offer those services to brands and people whose work you admire.

Moving into a studio space improved his productivity and mental health. He advises other artists to do the same if they can.

Is there anything you specifically avoid photographing?

Figuring out what not to photograph is as important as figuring out what to photograph. Consenstein avoids anything exploitative, including images of people without homes or those who can’t give consent. He also avoids capturing very intimate or gory moments. When photographing artists, he is careful not to show any work that they don’t want to be shared. He notes that intent and approach are everything.

Instagram’s Impact on Photography

What are your thoughts on Instagram’s impact on photography and its engagement?

Consenstein has mixed feelings about Instagram and social media in relation to photography. While social media has democratized photography, it has also led to an over-saturation of the space. While this has led to more bad photographers, there are also many incredibly talented photographers. Photography has evolved, and the traditional methods are often overlooked.

Influences and Aspirations

Who are some of the photographers or artists that inspire you?

Consenstein finds inspiration from photo books. Some of his favorite photographers include Vivian Maier, Dawoud Bey, Jamal Shabazz, Richard Sandler, Ari Marcpolous, and Jason Nocito. He is also inspired by graffiti, fashion, and design.

If you could photograph a portrait of one historical figure, who would it be?

Consenstein would love to photograph Frank Ocean, admiring his work. If he could photograph someone who has passed, it would be Big L, his favorite rapper.

Conclusion

Jacob Consenstein’s journey through film photography showcases a dedication to capturing the raw essence of New York City and its people. His work is an inspiration to aspiring photographers and a reminder of the power of film in our digital age. By combining his love for film with his unique perspective, Consenstein continues to make his mark in the world of photography.

Interview by: Ian Michna
Photos by: Jacob Consenstein
Purchase Jacob’s photo book “Half God” here

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