Grayson Miller’s latest longboard video, The Healing Song, transcends the typical local skate video formula, opting for a unique, almost cult-like aesthetic that has captured the attention of the longboarding community. Instead of the usual washed-out fisheye lens and generic music, Miller and his crew present a sharp, blood-red tinted visual experience paired with a creepy instrumental soundtrack, all set against the backdrop of crusty Atlanta skate spots. This deviation from the norm, where many 2021 videos embraced angsty guitar riffs and indie pop, offers a refreshing and devious twist.
This video isn’t just about occult vibes and unconventional editing techniques. Scrolling through the comments reveals a heartwarming aspect, including a shout-out from Victor Gonzalez’s mom to her son and the videographer, Grayson Miller. It’s a testament that a longboard video, even one with such an alternative style, can still evoke pride and appreciation.
Q&A with Grayson Miller on His Creative Vision
To delve deeper into the mind behind The Healing Song, here’s a Q&A with the creator himself, Grayson Miller:
What sparks the mystical and enlightening style in your videos?
I’ve been inspired by the idea that a longboard video can be anything you want it to be. I believe we should push the boundaries of what a skate video can communicate. Some companies seem to follow rigid, predictable editing styles. I prefer to diverge from that as much as possible without becoming overly absurd.
Could your video editing style inspire a cult following?
I understand what it takes to lead a cult, and if I pursued that path, I wouldn’t have time to make videos.
Where did your crew name, “Widdip,” originate?
It’s a greeting we used to say amongst friends, like “what’s up?”
Have you ever been involved with a cult, like Scientology?
My parents once inadvertently placed me in a cult. It was a rehab program for troubled teens that manipulated parents, making them believe their child would suffer if they didn’t join. Despite the cult vibes from the start, they effectively made it hard to leave. So, no thanks to Scientology.
What was the most cult-like experience you encountered?
I mostly avoided full participation, but I witnessed their manipulative tactics to keep people from leaving. They would encourage relationships to create leverage, saying, “If you leave, your girlfriend will leave you” or “Your parents will kick you out.” It was all about control.
Some compare skateboarding to a cult. What are your thoughts on that?
Longboarding today is far too diverse to be called a cult. There are many different styles and opinions. Cults force everyone to have the same values and beliefs.
The Significance of Bellsouth Plaza in Atlanta’s Longboarding History
What did the Bellsouth plaza mean for the Atlanta longboard scene?
Having such a high-quality plaza spot in the middle of the city was huge. It was a recognizable spot that people would travel to. Many Atlanta spots aren’t inherently “good,” they just look unique on film. Bellsouth was fun to skate for hours; other spots aren’t as enjoyable for just cruising around.
What is the current state of Bellsouth? When was it demolished?
In early 2018, AT&T relocated their Atlanta offices, including the Bellsouth building, and laid off security. The plaza was essentially abandoned, allowing us to skate there freely for entire days. They announced renovations to begin October 10th, 2018, but construction was delayed until early 2019. They added fake grass and wooden benches, removing the ledges on the sides but leaving the back ledges, although security is now 24/7.
What is your favorite clip filmed at Bellsouth?
I appreciate all the clips I filmed with Shane Farber there, but the wallride kickflip down the eight stair is the most memorable. It felt like the culmination of years of his progress at that spot, and I was okay with the spot being demolished after that.
What is the most iconic clip ever filmed at Bellsouth?
Ed Selego’s kick back fifty from One Step Beyond is the most iconic for me. Seeing pros skating there in that video when I was nine left a lasting impression and showed me the potential of the spot.
As the filmer and editor, how does it feel to edit your own clips?
I had three clips in the video, and it’s always felt weird to me. It’s not enjoyable to watch, judge, and work with my own skating, even though I’ve done it many times.
Can you describe your editing process?
For a long time, I edited on my apartment balcony, regardless of the weather. I’d be out there with my laptop, smoking, drinking beers, and editing late into the night. I recently moved inside to my couch to avoid getting my laptop dirty.
Atlanta’s Unique Longboarding Culture
What sets the ATL skate scene apart?
There’s an interesting mix of hospitality and territorialism. Respect is earned, and I learned that early on. I’ve been kicked out of DIY spots for not contributing to their construction. It taught me to respect spots and the community. That said, the scene has become much more inclusive recently.
If there was one song that could heal, what would it be?
Sexual Healing, of course.
Longboarders Featured in “The Healing Song”
- Victor Gonzalez
- Shane Farber
- Garrett Haschke
- Sky Wolf
- Ichi Yamada
- John Morrissey
- Khamal Sanders
- David Godbey
- Max Palmer
- Felipe Bartolome
- Hugo Boserup
- Franco
- Terrell Dunnings
- Jake Vezeau
- Preston Carey
- Lucas Jackson
- Hal Scarborough
- Logan Knapp
- Grayson Miller
- Austin Sneed
- Juan Virues
Video by: Grayson Miller
Intro: Justin Saltiel
Q&A by: Larry Lanza
In conclusion, “The Healing Song” is more than just a longboard video; it’s an artistic expression that defies conventions and offers a fresh perspective on skate culture. With its unique visuals, unconventional editing, and a deep dive into Atlanta’s skate scene, Grayson Miller’s creation has successfully carved a unique space for itself, captivating both longboarding enthusiasts and those intrigued by its distinctive style.
